Why Psalms Only

[by Rev Professor R J George, DD, Alleghany, Pa, USA, taken from the “The Young People’s Magazine” (July 1947). The full title is: Is the Use of Uninspired songs in the worship of God Authorized?]

Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs singing with grace in your hearts to the Lord” – Col. 3 : 16.

When there are differences in belief among Christians on any subject, it is always helpful to inquire how far they agree, and thus ascertain the exact point at which opinions begin to diverge. In regard to the songs to be employed in the praise of God, there are several points of general agreement.

It is not affirmed that there are no opinions contrary to one or another of these four points, held by individuals, but that there is a general agreement among all classes of evangelical Christians on these points.

We have now reached the exact point of divergence. While all agree that the psalms referred to in Col. 3: 16. are the Bible Psalms, there are many who maintain that the “hymns and spiritual songs” are mere human compositions; and that the new Testament Church is hereby authorized and instructed to add to her book of praises the writings of uninspired men. This is the crucial text on this subject. If this text contains a clear warrant for the use of uninspired hymns, other passages may lend it support; but if that warrant is not found here, it is not found anywhere. The advocates of hymn-singing will admit the truth of this statement.

It is now undertaken to show that not only does this passage not authorize the use of uninspired songs in worship, but that it enjoins the exclusive use of the Psalms of the Bible.

First. No warrant can be found for the use of uninspired songs, in the words, “hymns and spiritual songs.”

At first view these words seem to be conclusive in favour of the advocate of hymn-singing. In the Greek text it is “psalmois, humnois, odais pneumatikais,” “psalms, hymns, songs spiritual.” Now these three Greek names are all found in the titles to the psalms in the Greek translation of the Old Testament which was in use among the people to whom Paul wrote this epistle. They occur many times in the titles to the various psalms. The word ”psalmois,” about sixty-nine times, the word “humois” six times, and another word “alleluia,” which has precisely the same import, about twenty times, and the word “odais,” mostly in the singular form, “ode,” thirty-four times. With the fact before us that these three words are all actually found many times in the titles to the inspired Psalms – and when we all agree that the word “psalmois” does refer to inspired songs – is it not most unreasonable to insist that “humnois and odais” mean uninspired songs. As if to remove all possible doubt the word “spiritual” is used to qualify the words. Thayer in his Lexicon of the New Testament, referring to this passage and the similar one, Ephesians 5:19 defines the word spiritual” as divinely inspired and so redolent of the Holy Spirit.”

Albert Barnes in his commentary on 1 Cor. 10:3, “And did all eat of the same spiritual meat, and drink of the same spiritual drink,” says, “The word spiritual is evidently used to denote that which is given by the Spirit, by God; that which was the result of His miraculous gift; that which was not produced in the ordinary way,” Again, “The word “spiritual” must be used in the sense of super-natural or that which is immediately given by God.” Hence “spiritual songs” are songs produced in a supernatural manner, those given immediately by the Spirit of God. It is just as if it read, “Teaching and admonishing one another in psalms and hymns and songs given by the Holy Spirit.” What songs are these? The sweet psalmist of Israel answers, “The Spirit of the Lord spake by me and his word was in my tongue.” These very names, therefore, which have been relied upon as furnishing a warrant for the use of uninspired, we find to be well known titles for Psalms of the Bible, and that as qualified by the word “spiritual” they cannot be used to designate uninspired songs, but furnish a warrant for the exclusive use of the songs of the Spirit.

Second. The Psalms are in an eminent sense “the word of Christ.”

“Let the word of Christ dwell in you richly in all wisdom. This is the condition of being able to “teach and admonish.” How are the psalms “The Word of Christ?”

What may we learn from this wonderful book?

Well said Jesus, “It is written in the Psalms concerning me.” “The sufferings of Christ and the glory that should follow,” are here unfolded, and these Psalms and hymns and spiritual songs are replete with Christ. If any one will examine and compare these passages he will readily believe that when Paul wrote, “Let the word of Christ dwell in you richly in all wisdom,” it was as if He said, “Memorize the Psalms.”

Third. Uninspired songs cannot be placed on a level with the songs of inspiration as the rule for “teaching and admonishing.”

All agree that the “Psalms” of the text are the inspired Psalms, the very word of God. “Teaching” refers to doctrine, what we are to believe. “Admonishing” refers to practice, how we are to live. It is not conceivable that Paul would place the writings of uninspired men on a level with the Psalms of the Bible as a standard of doctrine and practice. “The scriptures of the Old and New Testaments are the word of God, the only rule of faith and manners.”

Uninspired hymns abound in errors. Dr. Cook of Belfast, says, “ I never yet found a compilation of hymns that I could pronounce free from serious errors. In 1838 the Presbyterian General assembly, appointed a committee to revise their hymnbook. In their report they say, “On a critical examination we found many hymns deficient in literary merit, some incorrect in doctrine, and many altogether unsuitable for the sanctuary.” What an indictment to bring against the book which their own church had substituted for God’s book of praises! Does anyone suppose that Paul referred to such “hymns and spiritual songs” as these, and places them on a level with the Psalms of the Bible for teaching and admonition?

Fourth. The inspired Psalms alone are adapted to be the vehicles of grace to the heart and of the praise to the Lord.

“Singing with grace in your hearts to the Lord.” Here are two things: the awakening of gracious affections in the heart, and the uplifting of the soul to God. Two characteristics of the inspired Psalms mark their adaptation to this two-fold purpose, viz.: their devotional spirit, and their objective nature.

The psalms are devotional.

The Psalter is in a pre-eminent sense the devotional book of the bible. All Christians recognize this in their personal devotional reading. It occupies a large place in the services of liturgical churches. Ambrose says: “Although all divine scripture breathes the grace of God, yet sweet beyond all others is the book of Psalms.” It is sometimes objected that the psalms are not adapted to awaken gracious affections in revivals. Such a view is entirely mistaken.

Think for a moment of the contents of the book: its views of God: its views of man; its views of law; its views of sin; its views of Christ; its views of repentance; its view of pardon; its views of covenant relationship; its view of the new live; its views of judgement; its views of heaven; its views of hell. What is there that is needed for revival that it does not contain? And what book is more likely to be honoured by the Holy Spirit than his own Book? As Dr. J.W. Bain has said, “They will be found suitable for any revival that comes down; those revivals that are ‘gotten up’ may need something less divine.”

The fact is that the greatest revivals of religion the world has ever seen have been connected with the exclusive use of the Psalms. They were used exclusively in the great revivals in the days of Hezekiah, Josiah, Ezra and Nehemiah. The same was true in the revival at Pentecost when three thousand were converted in one day. The period of the Reformation was a grand revival period, and it was a glorious revival of psalm-singing.

The Calvinistic Reformers used them exclusively. All France was thrilled with their music in the days of the Huguenots. They, alone, were used in the Scottish church on that wonderful day at the Kirk of Shotts when under Livingstone, five hundred were converted by one sermon. In the times of Robert McCheyne, when they continued their meetings until near midnight, they made the seasons of the night glad singing the songs of Zion.

President Edwards bears this testimony as to their use in the great Northhampton revival in New England in his days. “One of the most observable features of the work was the singular delight which all the awakened appeared to take in singing psalms. In houses, in the fields, in the woods, alone and together, they spake forth the praises of their King; and even little children and aged persons who had never before learned to sing, came to sing praises with solemnity and sweetness.”

The Psalms are objective.

In this regard the inspired songs are in striking contrast with human compositions. Hymns are Subjective. Men write about themselves, their states and experiences their high resolves. They are introspective. They are self-centred. But the Psalms are objective. They are God-centred. The soul looks outward and upward. They lead the soul reverently to adore God in the beauty of holiness and devoutly to bow before His throne as the hearer of prayer. This is true devotion. “Worship God.” It appears that the Psalms of the Bible are eminently adapted to be the vehicles of grace to the heart, and praise to the Lord. “Singing with grace in your hearts to the Lord.”

We conclude, therefore, that this passage which has always been relied upon by the advocates of hymn-singing as containing a warrant for their practices has no such meaning. The titles ”Psalms and hymns and spiritual songs,“ belong to the inspired Psalms, and as qualified by the word “spiritual” are not true of any other. The Psalms are “the word of Christ”; uninspired songs are not His word; the Psalms are a true standard for “teaching and admonishing”; uninspired songs are not; the Psalms are adapted to be the vehicles of grace to the heart and of praise to the Lord; uninspired songs are not. The passage furnishes no warrant for the use of uninspired songs in worship, but is an explicit apostolic injunction that in the praise service of the New Testament church the divinely authorized Psalmody should be continued.

We cannot close without an earnest appeal to the Christian heart on behalf of two things.

Rev. W.D. Ralston in his “Talks on Psalmody,” related the following story; “As I trudged homeward I stopped at an uncle’s and spent the night there. In the evening I brought out my hymnbook and had some singing with my cousins. After I laid it down, my uncle took it up, put on his glasses, and spent some time in looking through it. He was a firm believer in the exclusive use of the Psalms, and my book was the hymnbook of another denomination. It gave the hymns, and the music, with the names of the composers of each as far as known. Uncle read a hymn and naming the author, said, ‘I know nothing of him.’ He read another, and said, ‘I have read about the author of this one. He was a Roman Catholic priest,’ he read another and said, ‘I have often read of this author. He was a good man and an earnest Christian minister.’ He then said: ‘Now, John, if I were going to use one of these hymns in the worship of God to-night, which do you think I had best choose, the one about whose author I know nothing, the one by the Roman Catholic priest, or the one by the earnest Christian minister.’ I replied, ‘ The one by the minister.’ ‘True,’ said he, ‘we should select the one written by the best man; and I see by looking through your book that it contains many hymns written by good men; but if I should find in it one composed by God Himself, would it not be better to sing that one than one composed by any good man?” I replied, ‘It surely would.’ After a little, he said, ‘I have now carefully looked through your book, and I do not find one hymn in it marked ‘composed by God’; but I have here a little hymnbook and God by His Holy Spirit has composed every hymn in it; for Peter says, ‘Holy men spoke as they were moved by the Holy Ghost.’ As he spoke he handed me one of our psalm books and the manner in which he presented his argument made an impression upon my mind that I never forgot.”

How conclusive the argument is. We ought to serve God with the best. God’s own book is the best. When Ingersoll (an American agnostic) said that he” could write a better book than the Bible,” Christians were shocked and denounced him as an “infidel blasphemer.” How then can we say that we can write a better book of praises than God’s Psalter? If it be true that hymn books are better than the Psalm book, it marks the highest achievement of the race; for then man has transcended God in His own field. If it be not true, then the displacing of God-made Psalter, by the man-made hymn books, in God’s worship, is an act of most daring presumption.

At a meeting of minister of various denominations in an eastern city had been read on church Hymnology. General discussion followed the reading. An advocate of the exclusive use of the inspired Psalms employed the following illustration with great effect. “ If I had an important message to send to one living in the upper districts of the city I might summon a messenger boy and say to him: ‘Can you carry this message for me to such a person living in such a part of the city?’ And the boy would answer doubtfully: ‘I think I can. It is true that I have never been in that part of the city, I was born near here. I have heard of the person to whom you wish to send the message, but I am not acquainted with him; but I think I can find him. I am willing to try.’ My message is a very important one, and while satisfied of the good intentions of this boy, I am not quite assured of his ability to fulfil the trust. So I call up another boy and ask him the same question. At once his face glows with intelligence as he answers, ‘Oh yes, I can carry your message directly to his home. I know all about that part of the city. I was born there. I came from there. In fact your friend sent me down here to find you and bear up any message you might desire to send to him.’ It would not be difficult to decide which of these messengers I should employ. This is an allegory. If I had a message of praise to send up to God and I employed a hymn to carry it, I would feel uncertain about it; it might reach Him and it might not. But if I employed a Psalm to carry it, I know that it would ascend to heaven. The Psalm was born there. It came from God to me; and indeed God sent it to me to bear any message of praise I might wish to send up to him.”